Geoff from geoffmobile.com shows how to make a quick and tasty late night snack.
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Please rate, comment and subscribe! :)
Cheers,
Geoff
Technical notes:
Camera: Sony CyberShot DSC-HX9V (used On-Camera mic and Tungsten White Balance, EV+0). Used a tripod.
Edited with Adobe Premiere Pro CS5.5 on a Windows 7 Dell PC (Intel i7 and USB 3.0 for a faster workflow).
Geoff from geoffmobile.com plays his synthesizer, the Korg MS-2000B, for around 35 minutes.
This is Geoff’s favorite jam of his yet! New sonic ground was covered, at least for Geoff’s musical ear. Some of the music in this video may be useful for a short film score, and Geoff intends for you to use this music in your films (for free!! – please see below).
This video and performance are licensed under Creative Commons Attribution. Feel free to use the music in your short film or corporate videos or any other sort of purpose, as long as you include my name, Geoff Peters, and website link geoffmobile.com in the credits.
To obtain uncompressed WAV versions of this music (such as to use in a short film or radio program), please email Geoff at geoff@gpeters.com or contact him through:
twitter.com/gpeters
facebook.com/geoff.peters
Thanks for watching!
Please rate, comment, and subscribe!
Cheers,
Geoff
A Birds in the House production
birdsinthehouse.com
Technical notes:
Synthesizer: Korg MS-2000B
Recorded into a Motu 8-pre in 48khz 24 bit, stereo.
Geoff’s voice was recorded using a Sennheiser lapel microphone /wireless transmitter, also plugged into the Motu 8-pre.
This audio was not processed, normalized, compressed, or modified in any way. It’s the clean signal right from the synth.
Video recorded with a Sony Cybershot DSC-HX9V camera (manual white balance, EV+0, 60p 1080p), and edited with Adobe Premiere Pro CS5.5 on a Windows 7 Dell PC (Intel i7 and USB 3.0 for a faster workflow). Audio was synced with the video using Pluraleyes from Singular Software. Synth audio was monitored live during performance on Behringer B2031A studio monitors.
This guest vlog post is brought to you by my friend Lisa Foster (twitter).
Visit Dole Salads Facebook page and vote for my salad! Every voter has the chance of winning salad for a year!! Wish me luck! Follow the link below:
apps.facebook.com/dolechaletgetaway/
First: “Like” Dole Salads Canada. Register your information under “Chalet Getaway”. Then vote. My video is #3!
Geoff from geoffmobile.com interviews J.J. McCullough, columnist and writer of the newly released “J.J.’s Complete Guide to Canada”.
Check out the Guide for free online here:
And please visit J.J.’s other website (for his political / editorial cartoons and Huffington Post column):
filibustercartoons.com
Thanks for watching!
For more videos from Vancouver BC Canada, please subscribe to Geoffmobile here on Youtube or visit geoffmobile.com
Cheers,
Geoff
Technical Notes:
Camera: Canon EOS T2i with Magic Lantern Unified and Technicolor Cinestyle
Sound: Zoom H1, as well as Mac Laptop. Processed in Audacity with normalize, SC4 compressor, and W1 Limiter plugins.
Edited with Adobe Premiere Pro CS5.5 on a Windows 7 Dell PC (Intel i7 and USB 3.0 for a faster workflow).
A Birds in the House Production
birdsinthehouse.com
Geoff from geoffmobile.com shows how to use a Constant Power cross fade to crossfade between audio on two different tracks in Premiere Pro CS5.5, and explains the difference between a Constant Power crossfade and a linear crossfade.
The constant power crossfade is useful for connecting two audio clips which have the same level of background ambient sound in each clip. You don’t want the audio to appear to “drop out” or there to be a blip in the ambient sound, so instead of using a linear crossfade (such as through gain automation in the timeline), try using a Constant Power Crossfade on each ends of the two different tracks.
Yes, it’s possible to do a Constant Power crossfade between two different tracks, by just applying the crossfade to each track’s beginning or end. This way you can ensure your ambient sound (room tone or ambient track) doesn’t have a distracting drop out or noticeable decrease in volume at the crossfade point.
Any questions about audio crossfading in Premiere, please feel free to leave comments and I will try to help!
Cheers,
Geoff
geoffmobile.com
Filmed on a Sony Cybershot DSC-HX9V and edited with Adobe Premiere Pro CS5.5 on a Windows 7 Dell PC (Intel i7 and USB 3.0 for a faster workflow).
